Ghost In The Shell
“Cinematography begins in the imagination and is translated through the ‘eye’ of the camera. The Rebel Fleet’s precision and commitment enabled me to consistently achieve my vision with confidence.”
Director of Photography
Ash Vs Evil Dead III
“From day one we had a very capable, knowledgable and well organised team running Qtake, on-set monitoring and DIT. Having access to high quality images with accurate contrast and colour was imperative. Due to the number of set ups we were required to shoot daily, having their workflow was imperative to a fast, efficient and happy set.
2nd Unit DOP Starz
The Legend of Monkey
“Pete Harrow was an absolute dream and every day I appreciated his work and his cheery personality was a joy in a difficult job. See Saw in the Sydney and London offices were very impressed with the Rushes access. Thank you for coming to the party and supporting MONKEY. We love the Rebel Fleet!”
The Shannara Chronicles
“It would be hard to imagine working on a film without them [The Rebel Fleet].”
“The one-on-one working relationship with The Rebel Fleet and Moxion provided major innovations and efficiencies for our fast-paced TV production schedule. Every question or concern was answered and addressed with the utmost attention.
The ability for key crew and producers to have secure access to the multiple live feeds and/or playback function on their personal devices curbed continuity errors, allowed us to review more than one units at once… and as a Director, I appreciated that it reduced congestion around the monitors. They are revolutionizing workflow and listening to our needs on set.”
Executive Producer and Director
“The Rebel Fleet did a great job managing our data flawlessly, running a complex and ever-changing video split system and doing rushes colour grading on a daily basis. The professional and personal touch Rebel Fleet brought to our project really showed across all these areas.
All of our material had a signature look going into offline and this helped Deluxe Toronto achieve the final grading with minimal changes.”
Director of Photography
“If anyone is considering On Set Monitoring, DIT gear and services you would be crazy not to give the team at The Rebel Fleet a call. On Power Rangers, with both Production and Camera crew happy with the equipment it allowed me to concentrate on lighting and camera movement. Over the 8 month shoot we seldom had a reason to contact The Rebel Fleet, but if we did have questions they were always quick to provide back up and support. I fully recommend them and look forward to using them on my next shoot.”
Main Unit Cinematographer
“On Warner Bros., The Meg, we had multiple units shooting on the Hauraki Gulf, New Zealand; on boats and back at Kumeu Film studios which were thirty-miles apart. We were able to view footage from other units within minutes of being shot seamlessly through the video assist program, Moxion. They [The Rebel Fleet] provided exceptional support and always adapted instantly to the exigencies of production.”